Following his spaghetti western homage, Once Upon a Time in the Midlands, British writer/director Shane Meadows turns his hand to horror. A grimy, naturalistic subversion of the slasher genre, this morally ambiguous shocker marries the style of 28 Days Later ... with gallows humour of the blackest hue. In an uncomfortably matter-of-fact performance, co-writer Paddy Considine plays a tortured ex-army man who returns to the rural Midlands village of his youth to take revenge on a drugs gang who used and abused his younger, mentally disabled brother (Toby Kebbell). With many of the cast being non-actors and much of the dialogue improvised, there's a strong sense of realism that makes the violence portrayed so much more horrific. Initially, events are sweetened somewhat with acerbic wit and dark slapstick, but edgy laughs soon degenerate into grim brutality. It's an abrupt shift that unfortunately destroys the rising tension and turns a powerful, claustrophobic chiller into just another nasty exploitation flick.

A soldier returns to his small town and exacts a deadly revenge on the thugs who tormented his disabled brother while he was away.